Minigolf sculpture park
feld72 designed the first of a total of 12 miniature golf courses for the sculpture park “MQ Amore” on the forecourt of the MuseumsQuartier, Wien. In a setting of 38 red minigolf balls the actual game ball itself becomes an obstacle that “loses” its interchangeability. The work was signed in Braille formed from balls. Thus the camouflaged authorship itself becomes an element of the playful environment. With the materials used — Danube shell limestone and brass — the minigolf course makes a reference to the architecture of the Leopold Museum, which nominated feld72 for the design. The installation itself thus becomes an artefact in the forecourt of the institution.
Artists: feld72 (Leopold Museum), Anastasiya Yarovenko (Kunsthalle Wien), heri&salli (Architekturzentrum), PLOP – Bernd und Thomas Oppl (Q21), Bildstein | Glatz (MuseumsQuartier)
Minigolf sculpture park
feld72 designed the first of a total of 12 miniature golf courses for the sculpture park “MQ Amore” on the forecourt of the MuseumsQuartier, Wien. In a setting of 38 red minigolf balls the actual game ball itself becomes an obstacle that “loses” its interchangeability. The work was signed in Braille formed from balls. Thus the camouflaged authorship itself becomes an element of the playful environment. With the materials used — Danube shell limestone and brass — the minigolf course makes a reference to the architecture of the Leopold Museum, which nominated feld72 for the design. The installation itself thus becomes an artefact in the forecourt of the institution.
Artists: feld72 (Leopold Museum), Anastasiya Yarovenko (Kunsthalle Wien), heri&salli (Architekturzentrum), PLOP – Bernd und Thomas Oppl (Q21), Bildstein | Glatz (MuseumsQuartier)
Artistic redesign of the ticket office
At the town hall square in St. Pölten the major theatres are united in one ticket office. The redesign of the premises plays with the elements and materiality of the theatre. The large inviting glass front evokes the drama of a stage situation through the curtain that defines the interior. In the perception of spectators from outside, the visitors thus become random actors on the stage of everyday life. Theatre swivel chairs on the forecourt support this ambiguous function as multi-functional seating furniture. The new canopy roof writes the names of Lower Austrian cultural institutions on the square with delicate shadows. The entire new spatial setting creates a stage situation in the public space in which the roles of “audience” and “actors” merge and converge.
Category
Direct commission
Location
St. Pölten, AT
Completion
2013 inside / 2015 outisde
Client
Landestheater & Public Art Niederösterreich
GFA
112 m²
Pictures
Hertha Hurnaus, Wolfgang Woessner
Artistic redesign of the ticket office
At the town hall square in St. Pölten the major theatres are united in one ticket office. The redesign of the premises plays with the elements and materiality of the theatre. The large inviting glass front evokes the drama of a stage situation through the curtain that defines the interior. In the perception of spectators from outside, the visitors thus become random actors on the stage of everyday life. Theatre swivel chairs on the forecourt support this ambiguous function as multi-functional seating furniture. The new canopy roof writes the names of Lower Austrian cultural institutions on the square with delicate shadows. The entire new spatial setting creates a stage situation in the public space in which the roles of “audience” and “actors” merge and converge.
Category
Direct commission
Location
St. Pölten, AT
Completion
2013 inside / 2015 outisde
Client
Landestheater & Public Art Niederösterreich
GFA
112 m²
Pictures
Hertha Hurnaus, Wolfgang Woessner
Artistic walkabout and Intervention
The site of the project is the estuary area of the Isonzo near the industrial town of Monfalcone, which on the one hand is a nature reserve, and on the other hand is characterised by an illegally established pile-dwelling settlement. This testimony to an anarchistic building culture, which is threatened with disappearance, becomes, together with the nearby shipyard, the backdrop for artistic interventions on the themes of migration, speculation and whitecollar crime and the starting point of a journey into “informal” Italy.
Artistic walkabout and Intervention
The site of the project is the estuary area of the Isonzo near the industrial town of Monfalcone, which on the one hand is a nature reserve, and on the other hand is characterised by an illegally established pile-dwelling settlement. This testimony to an anarchistic building culture, which is threatened with disappearance, becomes, together with the nearby shipyard, the backdrop for artistic interventions on the themes of migration, speculation and whitecollar crime and the starting point of a journey into “informal” Italy.
Space installation for a dance performance
Based on the piano compositions of Erik Satie a spatial installation was conceived that enables a special experience: Satie demanded his work be played 840 times consecutively and at a slow tempo in order to experience its meditative character. This leads to a total duration of 21 hours. The audience is immersed in an extraordinary play with space, time and repetition. Being part of the installation itself, all visitors, as recipients and actors, are invited to play with instructions for action parallel to the live piano music and to sound out personal levels of perception.
Location
Vienna, AT / Milan, IT / Stolzenhagen, DE
Year
2009
Client
ImPulsTanz
Artistic concept, Piano
Jan Burkhardt, Kerstin Kussmaul
Production
gravityhappens
Collaborator
Eva Dietrich
Pictures
Laurent Ziegler
Space installation for a dance performance
Based on the piano compositions of Erik Satie a spatial installation was conceived that enables a special experience: Satie demanded his work be played 840 times consecutively and at a slow tempo in order to experience its meditative character. This leads to a total duration of 21 hours. The audience is immersed in an extraordinary play with space, time and repetition. Being part of the installation itself, all visitors, as recipients and actors, are invited to play with instructions for action parallel to the live piano music and to sound out personal levels of perception.
Location
Vienna, AT / Milan, IT / Stolzenhagen, DE
Year
2009
Client
ImPulsTanz
Artistic concept, Piano
Jan Burkhardt, Kerstin Kussmaul
Production
gravityhappens
Collaborator
Eva Dietrich
Pictures
Laurent Ziegler
Exhibition contribution and new module for the Million Donkey Hotel
As part of the exhibition “Re-cycle – Strategies for architecture, city and planet” a new module for the Million Donkey Hotel was conceived in cooperation with the craftsmen of PrataSannita: a PublicLibrary, which as analogue library collects together all publications about the Million Donkey Hotel and the topic of travel and (e)migration. After the exhibition the installation is being brought to PrataSannita, where it will be incorporated into the small amphitheatre as library and seating furniture. If necessary it can be transformed into a special hotel bed for adventurers.
Place
Prata Sanitta, IT
Year
2011
Exhibition contribution and new module for the Million Donkey Hotel
As part of the exhibition “Re-cycle – Strategies for architecture, city and planet” a new module for the Million Donkey Hotel was conceived in cooperation with the craftsmen of PrataSannita: a PublicLibrary, which as analogue library collects together all publications about the Million Donkey Hotel and the topic of travel and (e)migration. After the exhibition the installation is being brought to PrataSannita, where it will be incorporated into the small amphitheatre as library and seating furniture. If necessary it can be transformed into a special hotel bed for adventurers.
Place
Prata Sanitta, IT
Year
2011
A temporary festival centre for the steirische herbst
Is it possible to establish a maximum of attention and concrete new possibilities of use and play for an existing location — the Forum Stadtpark — in a resourcesaving way? Yes, with a re-usable deposit and return object, infinitely available, with enormous potential: the Euro pallet. Diverted from its normal purpose it becomes the component for temporary architecture just as well as the brick for a durable house. The architecture with expiry date crosses and breaks the existing building, spatially, typologically and aesthetically. A productive disturbance. Especially in its ephemerality it strives for great presence.
Award: Steirischer Holzbaupreis, AT
Category
Invited competition, 1st prize
Location
Graz, AT
Completion
2010
Client
steirischer herbst
Area
450 m²
Pictures
Hertha Hurnaus
A temporary festival centre for the steirische herbst
Is it possible to establish a maximum of attention and concrete new possibilities of use and play for an existing location — the Forum Stadtpark — in a resourcesaving way? Yes, with a re-usable deposit and return object, infinitely available, with enormous potential: the Euro pallet. Diverted from its normal purpose it becomes the component for temporary architecture just as well as the brick for a durable house. The architecture with expiry date crosses and breaks the existing building, spatially, typologically and aesthetically. A productive disturbance. Especially in its ephemerality it strives for great presence.
Award: Steirischer Holzbaupreis, AT
Category
Invited competition, 1st prize
Location
Graz, AT
Completion
2010
Client
steirischer herbst
Area
450 m²
Pictures
Hertha Hurnaus
Artistic walkabout and Intervention
In the middle of Europe zones of oblivion are emerging — villages in the border area of Italy, Austria and Slovenia that have been abandoned in recent decades. On the way from Moggio Udinese at the entrance to the Aupa Valley to Mogessa di La, a remote village without road connection, memories are gathered: together the audience transports fragments of a story whose context is only constructed at the end of the procession. On arrival at the destination, the audience is transported to a Blackbox (camera obscura), a place of reflection and imagination. By providing a retrospective view, it serves as collective memory.
Location
Mogessa di Lá, IT
Client
UNIKUM, Universitätskulturzentrum Klagenfurt
Curator
Inge Vavra
Year
2009
Artistic walkabout and Intervention
In the middle of Europe zones of oblivion are emerging — villages in the border area of Italy, Austria and Slovenia that have been abandoned in recent decades. On the way from Moggio Udinese at the entrance to the Aupa Valley to Mogessa di La, a remote village without road connection, memories are gathered: together the audience transports fragments of a story whose context is only constructed at the end of the procession. On arrival at the destination, the audience is transported to a Blackbox (camera obscura), a place of reflection and imagination. By providing a retrospective view, it serves as collective memory.
Location
Mogessa di Lá, IT
Client
UNIKUM, Universitätskulturzentrum Klagenfurt
Curator
Inge Vavra
Year
2009