• News
  • Studio
  • Work
  • Press
  • Contact
  • Deutsch
  • English

Hochstapler

Hochstapler

Hochstapler

A temporary festival centre for the steirische herbst

Is it possible to establish a maximum of attention and concrete new possibilities of use and play for an existing location — the Forum Stadtpark — in a resourcesaving way? Yes, with a re-usable deposit and return object, infinitely available, with enormous potential: the Euro pallet. Diverted from its normal purpose it becomes the component for temporary architecture just as well as the brick for a durable house. The architecture with expiry date crosses and breaks the existing building, spatially, typologically and aesthetically. A productive disturbance. Especially in its ephemerality it strives for great presence.

Award: Steirischer Holzbaupreis, AT

Category
Invited competition, 1st prize

Location
Graz, AT

Completion
2010

Client
steirischer herbst

Area
450 m²

Pictures
Hertha Hurnaus

Hochstapler

A temporary festival centre for the steirische herbst

Is it possible to establish a maximum of attention and concrete new possibilities of use and play for an existing location — the Forum Stadtpark — in a resourcesaving way? Yes, with a re-usable deposit and return object, infinitely available, with enormous potential: the Euro pallet. Diverted from its normal purpose it becomes the component for temporary architecture just as well as the brick for a durable house. The architecture with expiry date crosses and breaks the existing building, spatially, typologically and aesthetically. A productive disturbance. Especially in its ephemerality it strives for great presence.

Award: Steirischer Holzbaupreis, AT

Category
Invited competition, 1st prize

Location
Graz, AT

Completion
2010

Client
steirischer herbst

Area
450 m²

Pictures
Hertha Hurnaus

Related Projects

MQ Amore

MQ Amore

MQ Amore

Minigolf sculpture park

feld72 designed the first of a total of 12 miniature golf courses for the sculpture park “MQ Amore” on the forecourt of the MuseumsQuartier, Wien. In a setting of 38 red minigolf balls the actual game ball itself becomes an obstacle that “loses” its interchangeability. The work was signed in Braille formed from balls. Thus the camouflaged authorship itself becomes an element of the playful environment. With the materials used — Danube shell limestone and brass — the minigolf course makes a reference to the architecture of the Leopold Museum, which nominated feld72 for the design. The installation itself thus becomes an artefact in the forecourt of the institution.

Artists: feld72 (Leopold Museum), Anastasiya Yarovenko (Kunsthalle Wien), heri&salli (Architekturzentrum), PLOP – Bernd und Thomas Oppl (Q21), Bildstein | Glatz (MuseumsQuartier)

Location
Vienna, AT

Year
2017

Client
MQ MuseumsQuartier Wien

Concept MQ Amore
Daniel Sanwald

MQ Amore

Minigolf sculpture park

feld72 designed the first of a total of 12 miniature golf courses for the sculpture park “MQ Amore” on the forecourt of the MuseumsQuartier, Wien. In a setting of 38 red minigolf balls the actual game ball itself becomes an obstacle that “loses” its interchangeability. The work was signed in Braille formed from balls. Thus the camouflaged authorship itself becomes an element of the playful environment. With the materials used — Danube shell limestone and brass — the minigolf course makes a reference to the architecture of the Leopold Museum, which nominated feld72 for the design. The installation itself thus becomes an artefact in the forecourt of the institution.

Artists: feld72 (Leopold Museum), Anastasiya Yarovenko (Kunsthalle Wien), heri&salli (Architekturzentrum), PLOP – Bernd und Thomas Oppl (Q21), Bildstein | Glatz (MuseumsQuartier)

Location
Vienna, AT

Year
2017

Client
MQ MuseumsQuartier Wien

Concept MQ Amore
Daniel Sanwald

niederösterreich kultur karten

niederösterreich kultur karten

niederösterreich kultur karten

Artistic redesign of the ticket office

At the town hall square in St. Pölten the major theatres are united in one ticket office. The redesign of the premises plays with the elements and materiality of the theatre. The large inviting glass front evokes the drama of a stage situation through the curtain that defines the interior. In the perception of spectators from outside, the visitors thus become random actors on the stage of everyday life. Theatre swivel chairs on the forecourt support this ambiguous function as multi-functional seating furniture. The new canopy roof writes the names of Lower Austrian cultural institutions on the square with delicate shadows. The entire new spatial setting creates a stage situation in the public space in which the roles of “audience” and “actors” merge and converge.

Category
Direct commission

Location
St. Pölten, AT

Completion
2013 inside / 2015 outisde

Client
Landestheater & Public Art Niederösterreich

GFA
112 m²

Pictures
Hertha Hurnaus, Wolfgang Woessner

niederösterreich kultur karten

Artistic redesign of the ticket office

At the town hall square in St. Pölten the major theatres are united in one ticket office. The redesign of the premises plays with the elements and materiality of the theatre. The large inviting glass front evokes the drama of a stage situation through the curtain that defines the interior. In the perception of spectators from outside, the visitors thus become random actors on the stage of everyday life. Theatre swivel chairs on the forecourt support this ambiguous function as multi-functional seating furniture. The new canopy roof writes the names of Lower Austrian cultural institutions on the square with delicate shadows. The entire new spatial setting creates a stage situation in the public space in which the roles of “audience” and “actors” merge and converge.

Category
Direct commission

Location
St. Pölten, AT

Completion
2013 inside / 2015 outisde

Client
Landestheater & Public Art Niederösterreich

GFA
112 m²

Pictures
Hertha Hurnaus, Wolfgang Woessner

Built on sand

Built on sand

Built on sand

Artistic walkabout and Intervention

The site of the project is the estuary area of the Isonzo near the industrial town of Monfalcone, which on the one hand is a nature reserve, and on the other hand is characterised by an illegally established pile-dwelling settlement. This testimony to an anarchistic building culture, which is threatened with disappearance, becomes, together with the nearby shipyard, the backdrop for artistic interventions on the themes of migration, speculation and whitecollar crime and the starting point of a journey into “informal” Italy.

Location
Monfalcone, IT

Year
2013

Client
UNIKUM

Curator
Inge Vavra

Pictures
Johannes Puch

Built on sand

Artistic walkabout and Intervention

The site of the project is the estuary area of the Isonzo near the industrial town of Monfalcone, which on the one hand is a nature reserve, and on the other hand is characterised by an illegally established pile-dwelling settlement. This testimony to an anarchistic building culture, which is threatened with disappearance, becomes, together with the nearby shipyard, the backdrop for artistic interventions on the themes of migration, speculation and whitecollar crime and the starting point of a journey into “informal” Italy.

Location
Monfalcone, IT

Year
2013

Client
UNIKUM

Curator
Inge Vavra

Pictures
Johannes Puch

Vexations

Vexations

Vexations

Space installation for a dance performance

Based on the piano compositions of Erik Satie a spatial installation was conceived that enables a special experience: Satie demanded his work be played 840 times consecutively and at a slow tempo in order to experience its meditative character. This leads to a total duration of 21 hours. The audience is immersed in an extraordinary play with space, time and repetition. Being part of the installation itself, all visitors, as recipients and actors, are invited to play with instructions for action parallel to the live piano music and to sound out personal levels of perception.

Location
Vienna, AT / Milan, IT / Stolzenhagen, DE

Year
2009

Client
ImPulsTanz

Artistic concept, Piano
Jan Burkhardt, Kerstin Kussmaul

Production
gravityhappens

Collaborator
Eva Dietrich

Pictures
Laurent Ziegler

Vexations

Space installation for a dance performance

Based on the piano compositions of Erik Satie a spatial installation was conceived that enables a special experience: Satie demanded his work be played 840 times consecutively and at a slow tempo in order to experience its meditative character. This leads to a total duration of 21 hours. The audience is immersed in an extraordinary play with space, time and repetition. Being part of the installation itself, all visitors, as recipients and actors, are invited to play with instructions for action parallel to the live piano music and to sound out personal levels of perception.

Location
Vienna, AT / Milan, IT / Stolzenhagen, DE

Year
2009

Client
ImPulsTanz

Artistic concept, Piano
Jan Burkhardt, Kerstin Kussmaul

Production
gravityhappens

Collaborator
Eva Dietrich

Pictures
Laurent Ziegler

Public Library

Public Library

Public Library

Exhibition contribution and new module for the Million Donkey Hotel

As part of the exhibition “Re-cycle – Strategies for architecture, city and planet” a new module for the Million Donkey Hotel was conceived in cooperation with the craftsmen of PrataSannita: a PublicLibrary, which as analogue library collects together all publications about the Million Donkey Hotel and the topic of travel and (e)migration. After the exhibition the installation is being brought to PrataSannita, where it will be incorporated into the small amphitheatre as library and seating furniture. If necessary it can be transformed into a special hotel bed for adventurers.

Place
Prata Sanitta, IT

Year
2011

 

Public Library

Exhibition contribution and new module for the Million Donkey Hotel

As part of the exhibition “Re-cycle – Strategies for architecture, city and planet” a new module for the Million Donkey Hotel was conceived in cooperation with the craftsmen of PrataSannita: a PublicLibrary, which as analogue library collects together all publications about the Million Donkey Hotel and the topic of travel and (e)migration. After the exhibition the installation is being brought to PrataSannita, where it will be incorporated into the small amphitheatre as library and seating furniture. If necessary it can be transformed into a special hotel bed for adventurers.

Place
Prata Sanitta, IT

Year
2011

 

blackbox

blackbox

blackbox

Artistic walkabout and Intervention

In the middle of Europe zones of oblivion are emerging — villages in the border area of Italy, Austria and Slovenia that have been abandoned in recent decades. On the way from Moggio Udinese at the entrance to the Aupa Valley to Mogessa di La, a remote village without road connection, memories are gathered: together the audience transports fragments of a story whose context is only constructed at the end of the procession. On arrival at the destination, the audience is transported to a Blackbox (camera obscura), a place of reflection and imagination. By providing a retrospective view, it serves as collective memory.

Location
Mogessa di Lá, IT

Client
UNIKUM, Universitätskulturzentrum Klagenfurt

Curator
Inge Vavra

Year
2009

 

blackbox

Artistic walkabout and Intervention

In the middle of Europe zones of oblivion are emerging — villages in the border area of Italy, Austria and Slovenia that have been abandoned in recent decades. On the way from Moggio Udinese at the entrance to the Aupa Valley to Mogessa di La, a remote village without road connection, memories are gathered: together the audience transports fragments of a story whose context is only constructed at the end of the procession. On arrival at the destination, the audience is transported to a Blackbox (camera obscura), a place of reflection and imagination. By providing a retrospective view, it serves as collective memory.

Location
Mogessa di Lá, IT

Client
UNIKUM, Universitätskulturzentrum Klagenfurt

Curator
Inge Vavra

Year
2009

 

© feld72 —
  • Company details
  • Data Privacy Policy